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叶芝的诗英文(26)个

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叶芝的诗英文(26)个

关于”叶芝的诗“的英语句子26个,句子主体:Yeats's Poems。以下是关于叶芝的诗的专八英语句子。

英文句子模板1:Yeats's Poems

1、Cast a cold Eye On Life, on Death. Horseman, pass by! 投以冷眼,看生,看死。向前!骑士!——叶芝墓上的一首小诗。

2、Yeats, I said, wanted to speak for and to the Irish people, as well as to explain Ireland and Irishness to an English-speaking world abroad. 我认为,叶芝,想为爱尔兰人写诗,并把爱尔兰及其民族特色,介绍给整个英语世界。

3、And this is our glory, Yeats says. 这是我们的光荣,叶芝说到。

4、In fact, as Yeats declares, the fisherman does not exist. 实际上如叶芝所说,渔夫并不存在。

5、I realize that I'm out of time, and so I'll begin the next lecture by talking about a poem of Yeats called "La Lazuli" written in 1935, in which he talks about the way in which people who build up things that have been destroyed are always "." 好像时间差不多了,那么下节课一开始,我们就来,一起讨论叶芝的一首诗,名为《青金石》写于1935年,在这首诗中,叶芝写了那些重建家园,的人们,他们一直很快乐“

6、There's a kind of, well, masculinism in Yeats, and it's part of what I meant last time when I spoke of Yeats's anti-modernism or his reactionary modernism. 叶芝有点大男子主义,我上次提到叶芝反对,现代主义是就在指这点。

7、But there's a difference in Yeats. 但叶芝有所不同。

8、Yeats develops this idea or develops another version of it in a somewhat earlier poem that's interesting in relation to this one. 叶芝进一步发展了这一想法,并在早期的一首诗里,写了另一个版本,那首与这首的关系很有趣。

9、From art to symbol, it refers to using language medium to make artistic model and expresses emotion with model. 本文以艺术符号学的理论解析了爱尔兰著名诗人叶芝的代表作《驶向拜占庭》中文学意象潜隐的意蕴。

10、In a way, Yeats is always in costume. 从某种程度上说,叶芝常作此装扮。

11、It suggests both the difference between the earlier Yeats and the middle Yeats, but also importantly the kinds of continuity between them the ways in which Yeats remained very much the same poet. 这首诗表明了叶芝,早期和中期作品的差别,但很重要的是这两个时期,存在着一种延续性,叶芝作为诗人基本还是那样。

12、Crazy Jane is one of Yeats's masks or roles. 疯珍妮是叶芝的面具或角色之一。

13、He had also a big role in publicizing Yeats's development. 在推广叶芝的动向上,扮演重要角色。

14、And you can hear them together, Yeats moving from one to another with, oh, incredible speed and agility in that final strophe of the poem, on the next page. 而你可以听出所有,在诗的第三节中,叶芝转换得很快,很敏捷,翻到下一页。

15、For Yeats, Byzantium was only an instrument instead of the final destination. 对叶芝来说,拜占庭只是它山之石,叶芝的最终目的不在石而在玉。

16、Yeats sees the Second Coming as an image, as a myth, an idea, a metaphor, a certain stylistic arrangement of experience. 叶芝把第二次降临看成一个意向,一个神话,一个意识,一个比喻,一种诗意的安排和感受。

17、Yeats is always creating himself in his poems and creating himself as a kind of version of a type. 叶芝总是在他的诗歌中以一种,特定类型的变体来创造自己。

18、You don't have to do this for Wednesday but let's say for next Monday, and that is: I'd like you to memorize a short poem by Yeats or by Frost, either one. 你们不用今天做,下星期一吧:,我想让你们背一首短诗,叶芝或者弗罗斯特的都行。

19、Make a general survey of Yeats poetry, if it will be divided into the initial, mid-term and later stage, his aristocratism of poetry and spiritual phased corresponding change. 纵观叶芝的诗歌创作,如果将之划分为前、中、后三个时期来看,他的贵族风格的诗和精神都有阶段性相应的变化。

20、Thirdly, the active application of the image "gyre" to his poetry is the personal feature of his lyricism. 螺旋意象的积极运用是叶芝诗歌抒情性的个性特征。

21、Yeats is a poet who asks questions. 叶芝在诗中问问题。

22、Yeats helped found Dublin's Abbey Theatre, which performed many of his verse plays, including At the Hawk' s Well (1921). 叶芝帮助建立了都柏林阿比剧院,他的一些诗体剧在这里上演,其中包括《在鹰的井边》(1921)。

23、Most visitors began a Yeats pilgrimage in Sligo town, at the Yeats Memorial Building, where a 15 minute video gives a brief outline of his life. 大多数游客在斯莱戈镇开始叶芝的朝圣。在叶芝纪念大楼播放一段15 分钟的有关他的一生简要概述的录像。

24、You could go to Yeats's poem "Adam's Curse" to see the poet talking about this aesthetic ideal. 叶芝在他的诗歌亚当的诅咒里,谈论了他这一美学理想。

25、Feta cheese, tomato, cucumber, onion, black olives tossed with wild oregano, sesame seed and olive oil. 发达芝士,西红柿,黄瓜,洋葱,黑橄榄,撒以牛至叶、芝麻籽和橄榄油。

英文句子26:叶芝的诗

26、Yeats had strong faith in coming of new artistic movements. 有强烈的信念来叶芝的新艺术运动`。

27、Yeats imagines a kind of active arson in this poem. 叶芝在诗里想象了主动燃火。

28、Yours, W.B. Yeats." 你的朋友,W,B,叶芝“

29、Pound goes to work on Yeats, goes to work on his poetry and helps modernize him, although I think in lots of ways the influence went just as much the other way. 庞德转而研究叶芝和他的诗,并帮助他往现代主义转变,尽管我认为在很多方面,是叶芝影响了庞德。

30、So this is a kind of model for the late Yeats in poetry the voice of the angry and wild slum woman. 这是叶芝晚期诗的一种模式,狂怒野蛮的贫民窟人的话。

31、Big Brother Cheng the movie Hong Kong Movies Chen Kuan Tai … 大哥成, 陈观泰, 叶灵芝, 佟林, 韦弘…

32、You can look at it with those poems in mind where Yeats imagines a new world coming into being, ushered in through the blood of the old. 你们可以回忆一下那两首诗,其中叶芝想象了一个新的世界,那从旧世界鲜血里开辟。

33、You could look at a similar attitude in "A Prayer for My Daughter," another important big Yeats poem from slightly earlier, where Yeats says, "An intellectual hatred is the worst, so "that opinions are accursed." 在为我的女儿祈祷中,叶芝表达了相似的态度,这首诗稍早,也很重要,叶芝在诗里说,理智的仇恨为害最甚,把观念视为可憎“

34、Yeats said that the voices that he communicated with on the other side gave him "metaphors for poetry." 叶芝说,来自异界的和他讲话的声音,给了他诗的隐喻“

35、Pound Ezra Pound is Yeats's younger friend. 艾兹拉·庞德是叶芝的年轻朋友。

36、For Wednesday--This is my--our first Yeats lecture. 星期三是我们第一次关于叶芝的课程。

37、Yeats is still writing dream. 叶芝还在写梦。

38、The divine enters the human in these poems of Yeats's through the . 当圣降临于人,在叶芝诗歌里,圣以兽之形式降临于人。

39、That "Spiritus Mundi" that Yeats refers to in "The Second Coming," well, this is Yeats talking about that idea here. 叶芝二次圣临里的宇宙之魂“,叶芝这里在谈这一观点。

40、Yeats, I said, wanted to speak for and to the Irish people, as well as to explain Ireland and Irishness to an English-speaking world abroad. 我认为,叶芝,想为爱尔兰人写诗,并把爱尔兰及其民族特色,介绍给整个英语世界。

41、Yeats's career is maybe the most famous one in modern poetry that is, a career that has been seen as a kind of representative story about modern poetry as a whole. What's that story? 叶芝的事业在现代诗歌史上,也许是最著名的,他的事业被认为是,代表了现代诗歌整个历程,那这个历程是什么呢?

42、Pe is seen as, in Yeats's poetry and in popular lore, as Cuchulain, as a kind of avatar of the mythic Irish hero. 在叶芝的诗里皮尔斯被看作是,民间传说中,的英雄王库丘林,是爱尔兰神话里下凡的天神。

43、This is Yeats as King Goll. 这是叶芝之郭尔王。

44、Jessica Yellin is in Chicago. 杰西卡•叶琳现在在芝加哥。

45、Here, in the first part of the poem, Yeats talks about death and remorse as the end of all debate, the last word. 在这首诗的第一部分,叶芝,谈及悔恨和死亡是所有争论的结果。

46、Yeats seems to be insisting through Jane on the necessity of shattering experience to achieve unity of being, which Yeats imagines, again, as the union of opposites. 叶芝似乎通过珍妮坚持,认为经过破碎达到存在的统一,的必要性,所谓的统一,叶芝想象的还是相对立事物的统一。

47、Compared with his dramatic works, Yeats's poems attract much admiring notice. 他的戏剧作品相比,叶芝的诗歌吸引慕名而来的通知。

48、I'll say more about this next time with reference to Yeats's late poetry. 下次我会多谈些这方面的,关于叶芝晚期诗歌的内容。

49、Leda and the Swan" seems to say a knowledge of the body, of the necessity of embodiment. In the late Yeats, in the poems that I'll be discussing today, there's no knowledge apart from the body. 这诗里似乎说的是身体的知识,表现的必要性,我们要谈论的,叶芝的晚期诗讲的就是身体。

50、This is Yeats in costume, costumed as a figure from Irish myth, as an ancient bard, mad King Goll, which is the furthest thing from a modern poet. 穿着奇装异服的叶芝,打扮成爱尔兰传说中的人物,过去的吟唱诗人,疯癫的郭尔王,他与这位现代诗人相隔甚远。

经典英文句子51:叶芝的诗

51、And you can hear them together, Yeats moving from one to another with, oh, incredible speed and agility in that final strophe of the poem, on the next page. 而你可以听出所有,在诗的第三节中, 叶芝转换得很快,很敏捷,翻到下一页。

52、One consequence of this view is that for Yeats history starts to look like a poem, or it starts to conform to laws of poetic imagination or of tragedy, if you like, of myth. 这导致了,叶芝的历史观诗化了,或说是符合悲剧中,诗意想象的规律了,也可以说,神秘主义了。

53、Mozzarella cheese, tomato, basil, rucola, chilli, olive oil. 马苏里拉芝士,番茄,罗勒叶,芝麻菜,小辣椒,橄榄油。

54、In fact, Yeats is still writing about a solitary fisherman. 实际上,叶芝所写的还是,一个孤独的渔夫。

55、Because of so many rivalries, hi his idea on drama, Yeats presented "decolonized poetics". 这样一系列的对峙,使叶芝的戏剧理念呈现为“去殖民化的诗学”。

56、He is not only a great Irish poet since W. B. Yeats, but also an outstanding critic and translator. 他不仅是叶芝以来最伟大的爱尔兰诗人,同时还是一流的文学评论家和翻译家。

57、Yeats's sense of modern history, of the crisis of his moment this is something we can describe and explore next time in "Easter 1916." 叶芝对现代历史,和他所生活时代的危机的感触,我们可从下节课要读的诗,1916年的复活节,还描述和探究“

58、Yeats's sense of modern history, of the crisis of his moment this is something we can describe and explore next time in "Easter 1916." 叶芝对现代历史,和他所生活时代的危机的感触,我们可从下节课要读的诗,1916年的复活节,还描述和探究

59、This was the kind of generalized story of Yeats's career. 这是叶芝创作生涯的,大致的介绍。

60、Content: No one can supersede the position of Irish poet W. B. Yeats in the circle of English poem in the 20th century. 在20世纪的英语诗坛上, 爱尔兰诗人叶芝的作用和地位是无人能取代的。

61、Notes:Dip in mayonnaise, er or cream cheese, the artichoke leaves, stem and heart taste even more delicious. 备注:享用时蘸上蛋黄酱、牛油或忌廉芝士,雅芝竹的叶、梗和芯味道更佳。

62、There's a way in which Yeats's poetry of this period goes on resonating in the world we're living in. 叶芝这一时段的诗歌,有一个反应现实生活的方法。

63、Contrast Yeats's old age and the freshness of his desire in this poem. 在这首诗里对比叶芝的年纪,和他愿望的朝气。

64、Something remarkable is happening to the poet and to his language at the same time. 叶芝的诗歌发生了惊人的变化,他的语言也变了。

65、Well, and this is true for the Yeats poems that we've been talking about as well. 叶芝的诗确实是这样,我们也谈论过。

66、That this great mind and great memory Let's see. On your handout I have Yeats on the subject of magic. 这一伟大的思想和记忆,在你们的讲义材料上,我提到了叶芝诗歌中的魔法。

67、In fact, Yeats sees his poems as a kind of summoning of spirits or evocation of spirits, as he refers to it. 实际上,叶芝认为他的诗歌,如他所说在召集传唤灵魂。

68、Does it represent Yeats's own early cultural nationalism and the work represented in The Wind Among the Reeds and other early poems? 它是否代表了叶芝早期,文化民族主义和苇间风里,收录的及其他一些早期诗歌?

69、Oh, and here's the--This is Yeats's letter. 这就是叶芝写的信。

 
 
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